The MG66CE is beautiful and powerful yet understated, with clean lines and minimal decoration. This design language allows the beautiful solid African mahogany top to take center stage, shimmering under a flawless gloss finish.

Sonically, this guitar is everything you would expect from an all-solid Grand Auditorium mahogany body. It has been designed to deliver a strong and articulate voicing, instant response and more open projection than is normally associated with hardwood tops. Bass frequencies are clear and robust, and the mahogany delivers strong, woody tones with lots of middle frequency, sparkling trebles and boundless energy, making this guitar a joy to play.

The MG66CE is made with a cutaway to allow access to higher frets and is fitted with the excellent LR Baggs VTC system with Element pickup and soundhole console.

About Masterworks Series

We created our Masterworks Series to be the best value all-solid guitar line available to players today. Their specification is incredibly high in relation to their cost and they perform as all-solid professional guitars should, with fantastic response and projection.

Nothing can really match a guitar made from all-solid wood. The deflection of the notes is quicker, the quality of the sound is better, you can obtain optimal response and the sound of your guitar only improves as it ages.

After 55 years of making guitars, continual improvement through the use of emerging technologies, processes, and materials is still at the heart of our culture. Alvarez guitars are constructed correctly in every sense, from raw material preparation to construction and manufacturing processes.

Our tonewoods are carefully cured; our components such as neck blocks and wood joints are carefully designed. The painting, sanding and polishing techniques we use are continually researched and developed, and our tone is impeccably crafted and married to a stable, consistent and lively soundbox.

This caring approach to development comes from one simple goal: To deliver the best guitars in the market at every price point, instruments that are truly amazing value and offer a fantastic player experience.

The term “all-solid” refers to the guitar top, back and sides being made of solid wood rather than laminated. However, even when the guitar is made of all solid tonewood, it only performs to its full potential when it is designed to get the best out of its materials and components. The tops we use in Masterworks are premium grades, which means we can make them slightly thinner to heighten vibration. The radius of both the top and back are also refined to help increase volume.

Each guitar is designed to get the best out of its components, and for them to work together. These components include our FS6 bracing system, bi-level bridges, real bone nuts and saddles, carefully seasoned tonewoods and a thin finish.

FS6 is a forward shifted X brace design. This means the axis of the X is closer to the soundhole, creating a larger soundboard area to harness more energy and vibration. Both the X braces and asymmetric tone bars are carefully scalloped, a design that was the result of continual development in our Yairi workshops. Our FS6 system brings uniformity across Dreadnought, Grand Auditorium, OM and Parlor body sizes, so that the voicing has a similar character, but the individual tone is more purely influenced by the size and shape of the guitar.

The Masterworks personality is open and powerful. FS6 also creates very good balance so both the treble and bass registers are clearly present and balanced in relation to each other. All of our tops are selected by our team and graded independently of our suppliers, then cured with care using traditional ovens and modern thermo-kilns.

Along with a more angled headstock, our bi-level bridge increases string tension by making the break angle of the strings from the saddle to the top more acute. Improved string tension adds to our sound, feel and response, which are also heightened by the use of real bone nuts and saddles.

We hope you can see and feel our unwavering attention to detail and that it inspires you every time you play our guitars.

Thank you for choosing Alvarez.

The MD66CE is beautiful and powerful yet understated, with clean lines and minimal decoration. This design language allows the beautiful solid African mahogany top to take center stage, shimmering under a flawless gloss finish.

Sonically, this guitar is everything you would expect from an all-solid Dreadnought mahogany body. It has been designed to deliver a strong and articulate voicing, instant response and more open projection than is normally associated with hardwood tops. Bass frequencies are clear and robust, and the mahogany delivers strong, woody tones with lots of middle frequency and energy, making this guitar a joy to play.

The MD66CE is made with a cutaway to allow access to higher frets and is fitted with the excellent LR Baggs VTC system with Element pickup and soundhole console.

About Masterworks Series

We created our Masterworks Series to be the best value all-solid guitar line available to players today. Their specification is incredibly high in relation to their cost and they perform as all-solid professional guitars should, with fantastic response and projection.

Nothing can really match a guitar made from all-solid wood. The deflection of the notes is quicker, the quality of the sound is better, you can obtain optimal response and the sound of your guitar only improves as it ages.

After 55 years of making guitars, continual improvement through the use of emerging technologies, processes, and materials is still at the heart of our culture. Alvarez guitars are constructed correctly in every sense, from raw material preparation to construction and manufacturing processes.

Our tonewoods are carefully cured; our components such as neck blocks and wood joints are carefully designed. The painting, sanding and polishing techniques we use are continually researched and developed, and our tone is impeccably crafted and married to a stable, consistent and lively soundbox.

This caring approach to development comes from one simple goal: To deliver the best guitars in the market at every price point, instruments that are truly amazing value and offer a fantastic player experience.

The term “all-solid” refers to the guitar top, back and sides being made of solid wood rather than laminated. However, even when the guitar is made of all solid tonewood, it only performs to its full potential when it is designed to get the best out of its materials and components. The tops we use in Masterworks are premium grades, which means we can make them slightly thinner to heighten vibration. The radius of both the top and back are also refined to help increase volume.

Each guitar is designed to get the best out of its components, and for them to work together. These components include our FS6 bracing system, bi-level bridges, real bone nuts and saddles, carefully seasoned tonewoods and a thin finish.

FS6 is a forward shifted X brace design. This means the axis of the X is closer to the soundhole, creating a larger soundboard area to harness more energy and vibration. Both the X braces and asymmetric tone bars are carefully scalloped, a design that was the result of continual development in our Yairi workshops. Our FS6 system brings uniformity across Dreadnought, Grand Auditorium, OM and Parlor body sizes, so that the voicing has a similar character, but the individual tone is more purely influenced by the size and shape of the guitar.

The Masterworks personality is open and powerful. FS6 also creates very good balance so both the treble and bass registers are clearly present and balanced in relation to each other. All of our tops are selected by our team and graded independently of our suppliers, then cured with care using traditional ovens and modern thermo-kilns.

Along with a more angled headstock, our bi-level bridge increases string tension by making the break angle of the strings from the saddle to the top more acute. Improved string tension adds to our sound, feel and response, which are also heightened by the use of real bone nuts and saddles.

We hope you can see and feel our unwavering attention to detail and that it inspires you every time you play our guitars.

Thank you for choosing Alvarez. 

The MG60CESHB is beautiful and articulate yet understated, with clean lines and minimal decoration. This design language allows the AAA solid Sitka top to take center stage, shimmering under a flawless Shadowburst gloss.

Sonically, this guitar is everything you would expect from an all-solid Grand Auditorium body. It has been designed to achieve an open projection, instant response and broad tonal palette. Bass frequencies are clear and defined, and the marriage of Sitka and mahogany deliver strong woody mids, and the Grand Auditorium body helps to accentuate the sparkling trebles.

The MG60CESHB is made with a cutaway to allow access to higher frets and is fitted with the excellent LR Baggs VTC system with Element pickup and soundhole console.

About Masterworks Series

We created our Masterworks Series to be the best value all-solid guitar line available to players today. Their specification is incredibly high in relation to their cost and they perform as all-solid professional guitars should, with fantastic response and projection.

Nothing can really match a guitar made from all-solid wood. The deflection of the notes is quicker, the quality of the sound is better, you can obtain optimal response and the sound of your guitar only improves as it ages.

After 55 years of making guitars, continual improvement through the use of emerging technologies, processes, and materials is still at the heart of our culture. Alvarez guitars are constructed correctly in every sense, from raw material preparation to construction and manufacturing processes.

Our tonewoods are carefully cured; our components such as neck blocks and wood joints are carefully designed. The painting, sanding and polishing techniques we use are continually researched and developed, and our tone is impeccably crafted and married to a stable, consistent and lively soundbox.

This caring approach to development comes from one simple goal: To deliver the best guitars in the market at every price point, instruments that are truly amazing value and offer a fantastic player experience.

The term “all-solid” refers to the guitar top, back and sides being made of solid wood rather than laminated. However, even when the guitar is made of all solid tonewood, it only performs to its full potential when it is designed to get the best out of its materials and components. The tops we use in Masterworks are premium grades, which means we can make them slightly thinner to heighten vibration. The radius of both the top and back are also refined to help increase volume.

Each guitar is designed to get the best out of its components, and for them to work together. These components include our FS6 bracing system, bi-level bridges, real bone nuts and saddles, carefully seasoned tonewoods and a thin finish.

FS6 is a forward shifted X brace design. This means the axis of the X is closer to the soundhole, creating a larger soundboard area to harness more energy and vibration. Both the X braces and asymmetric tone bars are carefully scalloped, a design that was the result of continual development in our Yairi workshops. Our FS6 system brings uniformity across Dreadnought, Grand Auditorium, OM and Parlor body sizes, so that the voicing has a similar character, but the individual tone is more purely influenced by the size and shape of the guitar.

The Masterworks personality is open and powerful. FS6 also creates very good balance so both the treble and bass registers are clearly present and balanced in relation to each other. All of our tops are selected by our team and graded independently of our suppliers, then cured with care using traditional ovens and modern thermo-kilns.

Along with a more angled headstock, our bi-level bridge increases string tension by making the break angle of the strings from the saddle to the top more acute. Improved string tension adds to our sound, feel and response, which are also heightened by the use of real bone nuts and saddles.

We hope you can see and feel our unwavering attention to detail and that it inspires you every time you play our guitars.

Thank you for choosing Alvarez.

The MD60CESHB is beautiful and powerful yet understated, with clean lines and minimal decoration. This design language allows the AAA solid Sitka top to take center stage, shimmering under a flawless Shadowburst gloss.

Sonically, this guitar is everything you would expect from an all-solid Dreadnought body. It has been designed to achieve an open projection, instant response and broad tonal palette. Bass frequencies are clear and robust, and the marriage of Sitka and mahogany deliver strong woody mids and sparkling trebles. 

The MD60CESHB is made with a cutaway to allow access to higher frets and is fitted with the excellent LR Baggs VTC system with Element pickup and soundhole console.

About Masterworks Series

We created our Masterworks Series to be the best value all-solid guitar line available to players today. Their specification is incredibly high in relation to their cost and they perform as all-solid professional guitars should, with fantastic response and projection.

Nothing can really match a guitar made from all-solid wood. The deflection of the notes is quicker, the quality of the sound is better, you can obtain optimal response and the sound of your guitar only improves as it ages.

After 55 years of making guitars, continual improvement through the use of emerging technologies, processes, and materials is still at the heart of our culture. Alvarez guitars are constructed correctly in every sense, from raw material preparation to construction and manufacturing processes.

Our tonewoods are carefully cured; our components such as neck blocks and wood joints are carefully designed. The painting, sanding and polishing techniques we use are continually researched and developed, and our tone is impeccably crafted and married to a stable, consistent and lively soundbox.

This caring approach to development comes from one simple goal: To deliver the best guitars in the market at every price point, instruments that are truly amazing value and offer a fantastic player experience.

The term “all-solid” refers to the guitar top, back and sides being made of solid wood rather than laminated. However, even when the guitar is made of all solid tonewood, it only performs to its full potential when it is designed to get the best out of its materials and components. The tops we use in Masterworks are premium grades, which means we can make them slightly thinner to heighten vibration. The radius of both the top and back are also refined to help increase volume.

Each guitar is designed to get the best out of its components, and for them to work together. These components include our FS6 bracing system, bi-level bridges, real bone nuts and saddles, carefully seasoned tonewoods and a thin finish.

FS6 is a forward shifted X brace design. This means the axis of the X is closer to the soundhole, creating a larger soundboard area to harness more energy and vibration. Both the X braces and asymmetric tone bars are carefully scalloped, a design that was the result of continual development in our Yairi workshops. Our FS6 system brings uniformity across Dreadnought, Grand Auditorium, OM and Parlor body sizes, so that the voicing has a similar character, but the individual tone is more purely influenced by the size and shape of the guitar.

The Masterworks personality is open and powerful. FS6 also creates very good balance so both the treble and bass registers are clearly present and balanced in relation to each other. All of our tops are selected by our team and graded independently of our suppliers, then cured with care using traditional ovens and modern thermo-kilns.

Along with a more angled headstock, our bi-level bridge increases string tension by making the break angle of the strings from the saddle to the top more acute. Improved string tension adds to our sound, feel and response, which are also heightened by the use of real bone nuts and saddles.

We hope you can see and feel our unwavering attention to detail and that it inspires you every time you play our guitars.

Thank you for choosing Alvarez.

For some players, the OM is the perfect guitar. Designed correctly, its body shape can deliver near perfect balance and separation. We designed the MF60OM to do exactly that, giving players impressive balance in both tonality and volume across all six strings, making it an articulate and accurate instrument.

Tonally we have balanced the compression available from the smaller body size with a lighter weight X-brace design to keep the round notes and super-fast response but balance those features with a more open projection. No matter what music or playing style you gravitate to, this all-solid, finely dressed guitar is a true all-rounder with an impressive, eloquent voicing.

About Masterworks Series

We created our Masterworks Series to be the best value all-solid guitar line available to players today. Their specification is incredibly high in relation to their cost and they perform as all-solid professional guitars should, with fantastic response and projection.

Nothing can really match a guitar made from all-solid wood. The deflection of the notes is quicker, the quality of the sound is better, you can obtain optimal response and the sound of your guitar only improves as it ages.

After 55 years of making guitars, continual improvement through the use of emerging technologies, processes, and materials is still at the heart of our culture. Alvarez guitars are constructed correctly in every sense, from raw material preparation to construction and manufacturing processes.

Our tonewoods are carefully cured; our components such as neck blocks and wood joints are carefully designed. The painting, sanding and polishing techniques we use are continually researched and developed, and our tone is impeccably crafted and married to a stable, consistent and lively soundbox.

This caring approach to development comes from one simple goal: To deliver the best guitars in the market at every price point, instruments that are truly amazing value and offer a fantastic player experience.

The term “all-solid” refers to the guitar top, back and sides being made of solid wood rather than laminated. However, even when the guitar is made of all solid tonewood, it only performs to its full potential when it is designed to get the best out of its materials and components. The tops we use in Masterworks are premium grades, which means we can make them slightly thinner to heighten vibration. The radius of both the top and back are also refined to help increase volume.

Each guitar is designed to get the best out of its components, and for them to work together. These components include our FS6 bracing system, bi-level bridges, real bone nuts and saddles, carefully seasoned tonewoods and a thin finish.

FS6 is a forward shifted X brace design. This means the axis of the X is closer to the soundhole, creating a larger soundboard area to harness more energy and vibration. Both the X braces and asymmetric tone bars are carefully scalloped, a design that was the result of continual development in our Yairi workshops. Our FS6 system brings uniformity across Dreadnought, Grand Auditorium, OM and Parlor body sizes, so that the voicing has a similar character, but the individual tone is more purely influenced by the size and shape of the guitar.

The Masterworks personality is open and powerful. FS6 also creates very good balance so both the treble and bass registers are clearly present and balanced in relation to each other. All of our tops are selected by our team and graded independently of our suppliers, then cured with care using traditional ovens and modern thermo-kilns.

Along with a more angled headstock, our bi-level bridge increases string tension by making the break angle of the strings from the saddle to the top more acute. Improved string tension adds to our sound, feel and response, which are also heightened by the use of real bone nuts and saddles.

We hope you can see and feel our unwavering attention to detail and that it inspires you every time you play our guitars.

Thank you for choosing Alvarez.

For some players, the OM is the perfect guitar. Designed correctly, its body shape can deliver near perfect balance and separation. We designed the MF60CEOM to do exactly that, giving players impressive balance in both tonality and volume across all six strings, making it an articulate and accurate instrument.

Tonally we have balanced the compression available from the smaller body size with a lighter weight X-brace design to keep the round notes and super-fast response but balance those features with a more open projection. No matter what music or playing style you gravitate to, this all-solid, finely dressed guitar is a true all-rounder with an impressive, eloquent voicing.

The MF60CEOM features a high quality electronic system, an LR Baggs VTC with soundhole console.

About Masterworks Series

We created our Masterworks Series to be the best value all-solid guitar line available to players today. Their specification is incredibly high in relation to their cost and they perform as all-solid professional guitars should, with fantastic response and projection.

Nothing can really match a guitar made from all-solid wood. The deflection of the notes is quicker, the quality of the sound is better, you can obtain optimal response and the sound of your guitar only improves as it ages.

After 55 years of making guitars, continual improvement through the use of emerging technologies, processes, and materials is still at the heart of our culture. Alvarez guitars are constructed correctly in every sense, from raw material preparation to construction and manufacturing processes.

Our tonewoods are carefully cured; our components such as neck blocks and wood joints are carefully designed. The painting, sanding and polishing techniques we use are continually researched and developed, and our tone is impeccably crafted and married to a stable, consistent and lively soundbox.

This caring approach to development comes from one simple goal: To deliver the best guitars in the market at every price point, instruments that are truly amazing value and offer a fantastic player experience.

The term “all-solid” refers to the guitar top, back and sides being made of solid wood rather than laminated. However, even when the guitar is made of all solid tonewood, it only performs to its full potential when it is designed to get the best out of its materials and components. The tops we use in Masterworks are premium grades, which means we can make them slightly thinner to heighten vibration. The radius of both the top and back are also refined to help increase volume.

Each guitar is designed to get the best out of its components, and for them to work together. These components include our FS6 bracing system, bi-level bridges, real bone nuts and saddles, carefully seasoned tonewoods and a thin finish.

FS6 is a forward shifted X brace design. This means the axis of the X is closer to the soundhole, creating a larger soundboard area to harness more energy and vibration. Both the X braces and asymmetric tone bars are carefully scalloped, a design that was the result of continual development in our Yairi workshops. Our FS6 system brings uniformity across Dreadnought, Grand Auditorium, OM and Parlor body sizes, so that the voicing has a similar character, but the individual tone is more purely influenced by the size and shape of the guitar.

The Masterworks personality is open and powerful. FS6 also creates very good balance so both the treble and bass registers are clearly present and balanced in relation to each other. All of our tops are selected by our team and graded independently of our suppliers, then cured with care using traditional ovens and modern thermo-kilns.

Along with a more angled headstock, our bi-level bridge increases string tension by making the break angle of the strings from the saddle to the top more acute. Improved string tension adds to our sound, feel and response, which are also heightened by the use of real bone nuts and saddles.

We hope you can see and feel our unwavering attention to detail and that it inspires you every time you play our guitars.

Thank you for choosing Alvarez.

Alvarez Artist ukuleles are lively and sophisticated instruments that deliver an exceptional player experience.

Alvarez ukuleles have been carefully designed to bring players an open-sounding and responsive instrument with good projection, rich volume and fine tone.

All Alvarez ukuleles are constructed with a dovetail neck joint for optimal strength and transfer of energy between the neck and body. The bracing design is a modification on traditional fan-style braces to optimize response. This response is also aided by a solid “slotted” rosewood bridge, which enhances projection and helps to make string changes easier and quicker.

The AU66CCESHB is fitted with our AUE 20 EQ with built in tuner.

Other appointments and features include quality-seasoned tonewoods, real bone nut and saddles, mahogany neck, rosewood fingerboard and premium tuners.

We set out to build a market-leading, all-solid Dreadnought designed for the flatpicker and powerful strummer in mind. The MD60BG delivers on all fronts.

This superbly dressed guitar is highly responsive with clear, powerful bass and sparkling trebles. Its aesthetic pays tribute to traditional Bluegrass guitars with open gear nickel tuners, classic inlays, high-quality tortoiseshell style pickguard and even a slightly extended fingerboard.

About Masterworks Series

We created our Masterworks Series to be the best value all-solid guitar line available to players today. Their specification is incredibly high in relation to their cost and they perform as all-solid professional guitars should, with fantastic response and projection.

Nothing can really match a guitar made from all-solid wood. The deflection of the notes is quicker, the quality of the sound is better, you can obtain optimal response and the sound of your guitar only improves as it ages.

After 55 years of making guitars, continual improvement through the use of emerging technologies, processes, and materials is still at the heart of our culture. Alvarez guitars are constructed correctly in every sense, from raw material preparation to construction and manufacturing processes.

Our tonewoods are carefully cured; our components such as neck blocks and wood joints are carefully designed. The painting, sanding and polishing techniques we use are continually researched and developed, and our tone is impeccably crafted and married to a stable, consistent and lively soundbox.

This caring approach to development comes from one simple goal: To deliver the best guitars in the market at every price point, instruments that are truly amazing value and offer a fantastic player experience.

The term “all-solid” refers to the guitar top, back and sides being made of solid wood rather than laminated. However, even when the guitar is made of all solid tonewood, it only performs to its full potential when it is designed to get the best out of its materials and components. The tops we use in Masterworks are premium grades, which means we can make them slightly thinner to heighten vibration. The radius of both the top and back are also refined to help increase volume.

Each guitar is designed to get the best out of its components, and for them to work together. These components include our FS6 bracing system, bi-level bridges, real bone nuts and saddles, carefully seasoned tonewoods and a thin finish.

FS6 is a forward shifted X brace design. This means the axis of the X is closer to the soundhole, creating a larger soundboard area to harness more energy and vibration. Both the X braces and asymmetric tone bars are carefully scalloped, a design that was the result of continual development in our Yairi workshops. Our FS6 system brings uniformity across Dreadnought, Grand Auditorium, OM and Parlor body sizes, so that the voicing has a similar character, but the individual tone is more purely influenced by the size and shape of the guitar.

The Masterworks personality is open and powerful. FS6 also creates very good balance so both the treble and bass registers are clearly present and balanced in relation to each other. All of our tops are selected by our team and graded independently of our suppliers, then cured with care using traditional ovens and modern thermo-kilns.

Along with a more angled headstock, our bi-level bridge increases string tension by making the break angle of the strings from the saddle to the top more acute. Improved string tension adds to our sound, feel and response, which are also heightened by the use of real bone nuts and saddles.

We hope you can see and feel our unwavering attention to detail and that it inspires you every time you play our guitars.

Thank you for choosing Alvarez.

With clear purpose we set out to build a market leading, all-solid Dreadnought designed for the flatpicker and powerful strummer in mind. The MD60BG’s deliver on all fronts.

These superbly dressed guitars are super responsive with clear, powerful bass and sparkling trebles. Its cosmetics pay tribute to traditional Bluegrass guitars with open gear nickel tuners, classic inlays, high quality tortoiseshell style pickguard and even a slightly extended fingerboard.

Nothing can really match a guitar made from all-solid wood. The deflection of the notes is quicker, the quality of the sound is better, you can obtain optimal response and the sound of your guitar will improve as it ages.

About Masterworks Series

We created our Masterworks Series to be the best value all-solid guitar line available to players today. Their specification is incredibly high in relation to their cost and they perform as all-solid professional guitars should, with fantastic response and projection.

Nothing can really match a guitar made from all-solid wood. The deflection of the notes is quicker, the quality of the sound is better, you can obtain optimal response and the sound of your guitar only improves as it ages.

After 55 years of making guitars, continual improvement through the use of emerging technologies, processes, and materials is still at the heart of our culture. Alvarez guitars are constructed correctly in every sense, from raw material preparation to construction and manufacturing processes.

Our tonewoods are carefully cured; our components such as neck blocks and wood joints are carefully designed. The painting, sanding and polishing techniques we use are continually researched and developed, and our tone is impeccably crafted and married to a stable, consistent and lively soundbox.

This caring approach to development comes from one simple goal: To deliver the best guitars in the market at every price point, instruments that are truly amazing value and offer a fantastic player experience.

The term “all-solid” refers to the guitar top, back and sides being made of solid wood rather than laminated. However, even when the guitar is made of all solid tonewood, it only performs to its full potential when it is designed to get the best out of its materials and components. The tops we use in Masterworks are premium grades, which means we can make them slightly thinner to heighten vibration. The radius of both the top and back are also refined to help increase volume.

Each guitar is designed to get the best out of its components, and for them to work together. These components include our FS6 bracing system, bi-level bridges, real bone nuts and saddles, carefully seasoned tonewoods and a thin finish.

FS6 is a forward shifted X brace design. This means the axis of the X is closer to the soundhole, creating a larger soundboard area to harness more energy and vibration. Both the X braces and asymmetric tone bars are carefully scalloped, a design that was the result of continual development in our Yairi workshops. Our FS6 system brings uniformity across Dreadnought, Grand Auditorium, OM and Parlor body sizes, so that the voicing has a similar character, but the individual tone is more purely influenced by the size and shape of the guitar.

The Masterworks personality is open and powerful. FS6 also creates very good balance so both the treble and bass registers are clearly present and balanced in relation to each other. All of our tops are selected by our team and graded independently of our suppliers, then cured with care using traditional ovens and modern thermo-kilns.

Along with a more angled headstock, our bi-level bridge increases string tension by making the break angle of the strings from the saddle to the top more acute. Improved string tension adds to our sound, feel and response, which are also heightened by the use of real bone nuts and saddles.

We hope you can see and feel our unwavering attention to detail and that it inspires you every time you play our guitars.

Thank you for choosing Alvarez.

The stunning MPA66ESHB Parlor offers simply incredible craftsmanship, tone and beauty. Our flawless Shadowburst finish looks fantastic over the solid mahogany top, and the hand-crafted Paua abalone purfling frames the body beautifully. This acoustic-electric version is fitted with the fantastic LR Baggs Element pick-up and StagePro EQ for optimal live performance.

About Masterworks Series

We created our Masterworks Series to be the best value all-solid guitar line available to players today. Their specification is incredibly high in relation to their cost and they perform as all-solid professional guitars should, with fantastic response and projection.

Nothing can really match a guitar made from all-solid wood. The deflection of the notes is quicker, the quality of the sound is better, you can obtain optimal response and the sound of your guitar only improves as it ages.

After 55 years of making guitars, continual improvement through the use of emerging technologies, processes, and materials is still at the heart of our culture. Alvarez guitars are constructed correctly in every sense, from raw material preparation to construction and manufacturing processes.

Our tonewoods are carefully cured; our components such as neck blocks and wood joints are carefully designed. The painting, sanding and polishing techniques we use are continually researched and developed, and our tone is impeccably crafted and married to a stable, consistent and lively soundbox.

This caring approach to development comes from one simple goal: To deliver the best guitars in the market at every price point, instruments that are truly amazing value and offer a fantastic player experience.

The term “all-solid” refers to the guitar top, back and sides being made of solid wood rather than laminated. However, even when the guitar is made of all solid tonewood, it only performs to its full potential when it is designed to get the best out of its materials and components. The tops we use in Masterworks are premium grades, which means we can make them slightly thinner to heighten vibration. The radius of both the top and back are also refined to help increase volume.

Each guitar is designed to get the best out of its components, and for them to work together. These components include our FS6 bracing system, bi-level bridges, real bone nuts and saddles, carefully seasoned tonewoods and a thin finish.

FS6 is a forward shifted X brace design. This means the axis of the X is closer to the soundhole, creating a larger soundboard area to harness more energy and vibration. Both the X braces and asymmetric tone bars are carefully scalloped, a design that was the result of continual development in our Yairi workshops. Our FS6 system brings uniformity across Dreadnought, Grand Auditorium, OM and Parlor body sizes, so that the voicing has a similar character, but the individual tone is more purely influenced by the size and shape of the guitar.

The Masterworks personality is open and powerful. FS6 also creates very good balance so both the treble and bass registers are clearly present and balanced in relation to each other. All of our tops are selected by our team and graded independently of our suppliers, then cured with care using traditional ovens and modern thermo-kilns.

Along with a more angled headstock, our bi-level bridge increases string tension by making the break angle of the strings from the saddle to the top more acute. Improved string tension adds to our sound, feel and response, which are also heightened by the use of real bone nuts and saddles.

We hope you can see and feel our unwavering attention to detail and that it inspires you every time you play our guitars.

Thank you for choosing Alvarez.

 

Compare MPA66ESHB

You can listen, see and compare up to 3 instruments at a time

-

Add

-

Add

-

Add
Go To Compare Page