The AG70ce Black is a beautifully responsive Grand Auditorium guitar delivering glistening trebles and a robust, clear bass response that makes this guitar suitable for most styles of music and playing. It has an understated elegance with striking contrast between the natural AA Sitka top and dark Indian rosewood back and sides. The bevel armrest is also made from Rosewood, which lets it blend into the guitar’s aesthetic, while adding a level of sophistication to the overall look of the guitar.

The AEG70ce is fitted with the LR Baggs StagePro Bronze. The StagePro Bronze is a small-footprint side-mounted EQ incorporating the renowned LR Baggs Element under-saddle pickup. This is a low-profile unit with a large backlit tuner, volume, bass and treble controls and phase. The battery box is built into the end pin jack compartment for easy access with a simple push to open and change batteries.

About Artist Series

Alvarez Artist Series represents our commitment to quality and care. Our goal is to create an instant bond between you and your guitar through meticulous design in bracing, voicing and overall construction. Every component—from our bi-level bridge to our solid bridge plates and neck blocks—is carefully considered to deliver the best response possible from solid-top construction.

Artist Series guitars are responsive with impressive projection and balance that make them both rewarding and inspiring to play.

With a huge selection of body shapes and wood configurations, Artist Series has a guitar for everyone. For a more focused, woody tone, choose a Mahogany top. For a broader, more open projection, choose Sitka. For a warm response to a lighter, melodic touch, choose Cedar.

Our Approach to the Build

All of our solid tops are selected by our team and graded independently of our suppliers. If it isn’t worthy, it isn’t used. Our laminated backs and sides are uniquely constructed with Mahogany as our middle layer, and our inner and outer layers are always matched.

Artist guitars strike the right balance between strength and vibration, crafting a voice to both inspire and give players “tools in the tone.” Alongside this approach to development lies our respect for sourcing, preparation and nurturing the wood we use to make our guitars. No matter how considered design may be, it can only be as good as the wood we use to realize them.

Our all-solid wood tops, backs and sides, as well as the mahogany used for our necks, go through a curing process developed over years to create stability, strength and tonal benefits. Depending on the wood and its use, this process takes many months or even years for some of our models.

After months-long seasoning, we perform an extra drying stage in thermo-kilns to further enhance wood stability and improve resonance. We call this process ATR—Advanced Tonal Response. ATR™ is a form of torrefaction—oxygen controlled, vacuum curing at special temperatures to remove more moisture and volatiles such as saps and sugars from the wood.

This does two things:

  • ATR™ makes our wood more stable when exposed to adverse dry or humid climates. While we can’t stop the effects of dryness or moisture saturation that can damage guitars, ATR™ goes a long way in helping our guitars become more resilient. Guitars will move or change according to the environment they are in and are more likely to move within the first two years from their production. A guitar usually becomes drier as it ages; this is one of the reasons why players often like the sound of an older guitar. ATR™ advances the natural, post-build drying process so the wood behaves as if it were more mature, stable, and resonant from the first day it is used.
  • The effects of ATR™ are also audible in the instrument. The biggest difference is the clarity and separation between notes and the overall response of the guitar. As the top is drier, it’s also quicker, more resonant, more open, even louder. New guitars can sometimes take time to reach this state as the wood dries over the years. ATR accelerates this effect to deliver a more sophisticated and complex voicing from day one.

Our caring approach to development comes from one unwavering goal: To deliver the best guitars in the market at every price point—instruments of a truly remarkable value that offer an unparalleled player experience.

Thank you for choosing Alvarez.

Laureate Series
Every constituent part considered; each component hand-selected to achieve optimal quality throughout the build.

A bench made approach to the build

The quality of every component is so important in the overall performance of an acoustic guitar. For Laureate Series we hand select every bridge plate, brace, side brace and piece of kerfing from thousands, to make sure they are the best quality possible for structure and appearance. This dedication can be seen, heard and felt and brings a rare level of detailing to the build process.

Hand finished FS6 bracing

FS6 is based on a traditional forward shifted bracing pattern with particular attention paid to the weight and placement of the struts themselves. For Laureate we take a couple of extra steps and hand sand the braces which are cut from quartersawn Sitka spruce and chosen for their straight, finely grained quality to enhance overall response and vibration.

The finest tonewoods

Only our finest, wonderfully quartersawn and silked Sitka is used in Laureate Series. The stiffness and quality of the top allows us to thickness sand them just a tad thinner to help heighten response. Backs and sides are cut from the best East Indian Rosewood that comes into our possession; bookmatched with perfect colouring.

A flawless finish

The systems required to achieve the quality we aimed for made us once again improve upon our sanding and painting process to deliver a flawless, deep shine with the thinnest clearcoat we have ever achieved in Alvarez. We’ve also introduced a new colour called Daybreak, a super light burst adding an aesthetic depth to the top and creating a vintage style vibe at the same time.

Appointments & Styling

Bridges, fingerboards and headstock plates are cut from the finest African ebony we can find. The ebony components impact articulation, clarity and separation of notes and frequencies and work with other premium comments to deliver a clear and powerful voicing. This quality of ebony works beautifully with rare Blue Abalone inlays to create a very luxurious but understated vibe.

The Laureate Bridge

Aesthetically, Laureate is a traditional guitar series in the sense its body shapes are based on guitars from the late 1800’s to the 1930’s. With this in mind, we made the decision not to use our Bi-Level bridge and to stay closer in keeping with a traditional approach, and a full, single level bridge style. The Laureate bridge has its own unique styling and is cut from the finest black ebony.

Laureate Series
Every constituent part considered; each component hand-selected to achieve optimal quality throughout the build.

A bench made approach to the build

The quality of every component is so important in the overall performance of an acoustic guitar. For Laureate Series we hand select every bridge plate, brace, side brace and piece of kerfing from thousands, to make sure they are the best quality possible for structure and appearance. This dedication can be seen, heard and felt and brings a rare level of detailing to the build process.

Hand finished FS6 bracing

FS6 is based on a traditional forward shifted bracing pattern with particular attention paid to the weight and placement of the struts themselves. For Laureate we take a couple of extra steps and hand sand the braces which are cut from quartersawn Sitka spruce and chosen for their straight, finely grained quality to enhance overall response and vibration.

The finest tonewoods

Only our finest, wonderfully quartersawn and silked Sitka is used in Laureate Series. The stiffness and quality of the top allows us to thickness sand them just a tad thinner to help heighten response. Backs and sides are cut from the best East Indian Rosewood that comes into our possession; bookmatched with perfect colouring.

A flawless finish

The systems required to achieve the quality we aimed for made us once again improve upon our sanding and painting process to deliver a flawless, deep shine with the thinnest clearcoat we have ever achieved in Alvarez. We’ve also introduced a new colour called Daybreak, a super light burst adding an aesthetic depth to the top and creating a vintage style vibe at the same time.

Appointments & Styling

Bridges, fingerboards and headstock plates are cut from the finest African ebony we can find. The ebony components impact articulation, clarity and separation of notes and frequencies and work with other premium comments to deliver a clear and powerful voicing. This quality of ebony works beautifully with rare Blue Abalone inlays to create a very luxurious but understated vibe.

The Laureate Bridge

Aesthetically, Laureate is a traditional guitar series in the sense its body shapes are based on guitars from the late 1800’s to the 1930’s. With this in mind, we made the decision not to use our Bi-Level bridge and to stay closer in keeping with a traditional approach, and a full, single level bridge style. The Laureate bridge has its own unique styling and is cut from the finest black ebony.

Laureate Series
Every constituent part considered; each component hand-selected to achieve optimal quality throughout the build.

A bench made approach to the build

The quality of every component is so important in the overall performance of an acoustic guitar. For Laureate Series we hand select every bridge plate, brace, side brace and piece of kerfing from thousands, to make sure they are the best quality possible for structure and appearance. This dedication can be seen, heard and felt and brings a rare level of detailing to the build process.

Hand finished FS6 bracing

FS6 is based on a traditional forward shifted bracing pattern with particular attention paid to the weight and placement of the struts themselves. For Laureate we take a couple of extra steps and hand sand the braces which are cut from quartersawn Sitka spruce and chosen for their straight, finely grained quality to enhance overall response and vibration.

The finest tonewoods

Only our finest, wonderfully quartersawn and silked Sitka is used in Laureate Series. The stiffness and quality of the top allows us to thickness sand them just a tad thinner to help heighten response. Backs and sides are cut from the best East Indian Rosewood that comes into our possession; bookmatched with perfect colouring.

A flawless finish

The systems required to achieve the quality we aimed for made us once again improve upon our sanding and painting process to deliver a flawless, deep shine with the thinnest clearcoat we have ever achieved in Alvarez. We’ve also introduced a new colour called Daybreak, a super light burst adding an aesthetic depth to the top and creating a vintage style vibe at the same time.

Appointments & Styling

Bridges, fingerboards and headstock plates are cut from the finest African ebony we can find. The ebony components impact articulation, clarity and separation of notes and frequencies and work with other premium comments to deliver a clear and powerful voicing. This quality of ebony works beautifully with rare Blue Abalone inlays to create a very luxurious but understated vibe.

The Laureate Bridge

Aesthetically, Laureate is a traditional guitar series in the sense its body shapes are based on guitars from the late 1800’s to the 1930’s. With this in mind, we made the decision not to use our Bi-Level bridge and to stay closer in keeping with a traditional approach, and a full, single level bridge style. The Laureate bridge has its own unique styling and is cut from the finest black ebony.

Laureate Series
Every constituent part considered; each component hand-selected to achieve optimal quality throughout the build.

A bench made approach to the build

The quality of every component is so important in the overall performance of an acoustic guitar. For Laureate Series we hand select every bridge plate, brace, side brace and piece of kerfing from thousands, to make sure they are the best quality possible for structure and appearance. This dedication can be seen, heard and felt and brings a rare level of detailing to the build process.

Hand finished FS6 bracing

FS6 is based on a traditional forward shifted bracing pattern with particular attention paid to the weight and placement of the struts themselves. For Laureate we take a couple of extra steps and hand sand the braces which are cut from quartersawn Sitka spruce and chosen for their straight, finely grained quality to enhance overall response and vibration.

The finest tonewoods

Only our finest, wonderfully quartersawn and silked Sitka is used in Laureate Series. The stiffness and quality of the top allows us to thickness sand them just a tad thinner to help heighten response. Backs and sides are cut from the best East Indian Rosewood that comes into our possession; bookmatched with perfect colouring.

A flawless finish

The systems required to achieve the quality we aimed for made us once again improve upon our sanding and painting process to deliver a flawless, deep shine with the thinnest clearcoat we have ever achieved in Alvarez. We’ve also introduced a new colour called Daybreak, a super light burst adding an aesthetic depth to the top and creating a vintage style vibe at the same time.

Appointments & Styling

Bridges, fingerboards and headstock plates are cut from the finest African ebony we can find. The ebony components impact articulation, clarity and separation of notes and frequencies and work with other premium comments to deliver a clear and powerful voicing. This quality of ebony works beautifully with rare Blue Abalone inlays to create a very luxurious but understated vibe.

The Laureate Bridge

Aesthetically, Laureate is a traditional guitar series in the sense its body shapes are based on guitars from the late 1800’s to the 1930’s. With this in mind, we made the decision not to use our Bi-Level bridge and to stay closer in keeping with a traditional approach, and a full, single level bridge style. The Laureate bridge has its own unique styling and is cut from the finest black ebony.

Laureate Series
Every constituent part considered; each component hand-selected to achieve optimal quality throughout the build.

A bench made approach to the build

The quality of every component is so important in the overall performance of an acoustic guitar. For Laureate Series we hand select every bridge plate, brace, side brace and piece of kerfing from thousands, to make sure they are the best quality possible for structure and appearance. This dedication can be seen, heard and felt and brings a rare level of detailing to the build process.

Hand finished FS6 bracing

FS6 is based on a traditional forward shifted bracing pattern with particular attention paid to the weight and placement of the struts themselves. For Laureate we take a couple of extra steps and hand sand the braces which are cut from quartersawn Sitka spruce and chosen for their straight, finely grained quality to enhance overall response and vibration.

The finest tonewoods

Only our finest, wonderfully quartersawn and silked Sitka is used in Laureate Series. The stiffness and quality of the top allows us to thickness sand them just a tad thinner to help heighten response. Backs and sides are cut from the best East Indian Rosewood that comes into our possession; bookmatched with perfect colouring.

A flawless finish

The systems required to achieve the quality we aimed for made us once again improve upon our sanding and painting process to deliver a flawless, deep shine with the thinnest clearcoat we have ever achieved in Alvarez. We’ve also introduced a new colour called Daybreak, a super light burst adding an aesthetic depth to the top and creating a vintage style vibe at the same time.

Appointments & Styling

Bridges, fingerboards and headstock plates are cut from the finest African ebony we can find. The ebony components impact articulation, clarity and separation of notes and frequencies and work with other premium comments to deliver a clear and powerful voicing. This quality of ebony works beautifully with rare Blue Abalone inlays to create a very luxurious but understated vibe.

The Laureate Bridge

Aesthetically, Laureate is a traditional guitar series in the sense its body shapes are based on guitars from the late 1800’s to the 1930’s. With this in mind, we made the decision not to use our Bi-Level bridge and to stay closer in keeping with a traditional approach, and a full, single level bridge style. The Laureate bridge has its own unique styling and is cut from the finest black ebony.

Laureate Series
Every constituent part considered; each component hand-selected to achieve optimal quality throughout the build.

A bench made approach to the build

The quality of every component is so important in the overall performance of an acoustic guitar. For Laureate Series we hand select every bridge plate, brace, side brace and piece of kerfing from thousands, to make sure they are the best quality possible for structure and appearance. This dedication can be seen, heard and felt and brings a rare level of detailing to the build process.

Hand finished FS6 bracing

FS6 is based on a traditional forward shifted bracing pattern with particular attention paid to the weight and placement of the struts themselves. For Laureate we take a couple of extra steps and hand sand the braces which are cut from quartersawn Sitka spruce and chosen for their straight, finely grained quality to enhance overall response and vibration.

The finest tonewoods

Only our finest, wonderfully quartersawn and silked Sitka is used in Laureate Series. The stiffness and quality of the top allows us to thickness sand them just a tad thinner to help heighten response. Backs and sides are cut from the best East Indian Rosewood that comes into our possession; bookmatched with perfect colouring.

A flawless finish

The systems required to achieve the quality we aimed for made us once again improve upon our sanding and painting process to deliver a flawless, deep shine with the thinnest clearcoat we have ever achieved in Alvarez. We’ve also introduced a new colour called Daybreak, a super light burst adding an aesthetic depth to the top and creating a vintage style vibe at the same time.

Appointments & Styling

Bridges, fingerboards and headstock plates are cut from the finest African ebony we can find. The ebony components impact articulation, clarity and separation of notes and frequencies and work with other premium comments to deliver a clear and powerful voicing. This quality of ebony works beautifully with rare Blue Abalone inlays to create a very luxurious but understated vibe.

The Laureate Bridge

Aesthetically, Laureate is a traditional guitar series in the sense its body shapes are based on guitars from the late 1800’s to the 1930’s. With this in mind, we made the decision not to use our Bi-Level bridge and to stay closer in keeping with a traditional approach, and a full, single level bridge style. The Laureate bridge has its own unique styling and is cut from the finest black ebony.

The MP66 Parlor offers incredible craftsmanship, tone and beauty. The solid mahogany top shimmers under our flawless Shadowburst finish, and the hand-crafted Paua abalone purfling frames the body beautifully. The MP66e is fitted with the LR Baggs HiFi system.

About the Alvarez Masterworks Series

Making a guitar from all-solid wood delivers strong tonal benefits, and we approach the design of Masterworks to embrace all of them. Top thickness, brace weight and tapering, back design and wood choice all count, and when each is considered as a part of the sum total of the instrument’s voice, great articulation and quality of tone is achieved.

Our FS6 bracing system is a forward-shifted, scalloped X allowing for a slightly larger soundboard area around the bridge. This helps generate more vibration, which is heightened by AAA soundboards and premium components throughout, culminating in powerful voicing, inspiring articulation and instant response.

Masterworks acoustic-electric models are fitted with the LR Baggs HiFi system. HiFi is a premium, non-invasive design that pairs dual bridge plate sensors with high-fidelity electronics, providing exceptional balance, definition and dynamics. Due to the closed sensor design, HiFi also has excellent feedback resistance and its built-in, studio-quality preamp is voiced to compliment the pickups for an optimal plug-and-play experience.

All Masterworks ship with our durable AFC30 Flexicase.

Our Approach to the Build

All of our solid tops are selected by our team and graded independently of our suppliers. If it isn’t worthy, it isn’t used. Our laminated backs and sides are uniquely constructed with Mahogany as our middle layer, and our inner and outer layers are always matched. 

Artist Elite guitars strike the right balance between strength and vibration, crafting a voice to both inspire and give players “tools in the tone.” Alongside this approach to development lies our respect for sourcing, preparation and nurturing the wood we use to make our guitars. No matter how considered design may be, it can only be as good as the wood we use to realize them. 

Our all-solid wood tops, backs and sides, as well as the mahogany used for our necks, go through a curing process developed over years to create stability, strength and tonal benefits. Depending on the wood and its use, this process takes many months or even years for some of our models.

After months-long seasoning, we perform an extra drying stage in thermo-kilns to further enhance wood stability and improve resonance. We call this process ATR—Advanced Tonal Response. ATR™ is a form of torrefaction—oxygen controlled, vacuum curing at special temperatures to remove more moisture and volatiles such as saps and sugars from the wood. 

This does two things:

  • ATR™ makes our wood more stable when exposed to adverse dry or humid climates. While we can’t stop the effects of dryness or moisture saturation that can damage guitars, ATR™ goes a long way in helping our guitars become more resilient. Guitars will move or change according to the environment they are in and are more likely to move within the first two years from their production. A guitar usually becomes drier as it ages; this is one of the reasons why players often like the sound of an older guitar. ATR™ advances the natural, post-build drying process so the wood behaves as if it were more mature, stable, and resonant from the first day it is used.

  • The effects of ATR™ are also audible in the instrument. The biggest difference is the clarity and separation between notes and the overall response of the guitar. As the top is drier, it’s also quicker, more resonant, more open, even louder. New guitars can sometimes take time to reach this state as the wood dries over the years. ATR accelerates this effect to deliver a more sophisticated and complex voicing from day one.

Our caring approach to development comes from one unwavering goal: To deliver the best guitars in the market at every price point—instruments of a truly remarkable value that offer an unparalleled player experience.

Thank you for choosing Alvarez.

The MP66 Parlor offers incredible craftsmanship, tone and beauty. The solid mahogany top shimmers under our flawless Shadowburst finish, and the hand-crafted Paua abalone purfling frames the body beautifully.

About the Alvarez Masterworks Series

Making a guitar from all-solid wood delivers strong tonal benefits, and we approach the design of Masterworks to embrace all of them. Top thickness, brace weight and tapering, back design and wood choice all count, and when each is considered as a part of the sum total of the instrument’s voice, great articulation and quality of tone is achieved.

Our FS6 bracing system is a forward-shifted, scalloped X allowing for a slightly larger soundboard area around the bridge. This helps generate more vibration, which is heightened by AAA soundboards and premium components throughout, culminating in powerful voicing, inspiring articulation and instant response.

Masterworks acoustic-electric models are fitted with the LR Baggs HiFi system. HiFi is a premium, non-invasive design that pairs dual bridge plate sensors with high-fidelity electronics, providing exceptional balance, definition and dynamics. Due to the closed sensor design, HiFi also has excellent feedback resistance and its built-in, studio-quality preamp is voiced to compliment the pickups for an optimal plug-and-play experience.

All Masterworks ship with our durable AFC30 Flexicase.

Our Approach to the Build

All of our solid tops are selected by our team and graded independently of our suppliers. If it isn’t worthy, it isn’t used. Our laminated backs and sides are uniquely constructed with Mahogany as our middle layer, and our inner and outer layers are always matched. 

Artist Elite guitars strike the right balance between strength and vibration, crafting a voice to both inspire and give players “tools in the tone.” Alongside this approach to development lies our respect for sourcing, preparation and nurturing the wood we use to make our guitars. No matter how considered design may be, it can only be as good as the wood we use to realize them. 

Our all-solid wood tops, backs and sides, as well as the mahogany used for our necks, go through a curing process developed over years to create stability, strength and tonal benefits. Depending on the wood and its use, this process takes many months or even years for some of our models.

After months-long seasoning, we perform an extra drying stage in thermo-kilns to further enhance wood stability and improve resonance. We call this process ATR—Advanced Tonal Response. ATR™ is a form of torrefaction—oxygen controlled, vacuum curing at special temperatures to remove more moisture and volatiles such as saps and sugars from the wood. 

This does two things:

  • ATR™ makes our wood more stable when exposed to adverse dry or humid climates. While we can’t stop the effects of dryness or moisture saturation that can damage guitars, ATR™ goes a long way in helping our guitars become more resilient. Guitars will move or change according to the environment they are in and are more likely to move within the first two years from their production. A guitar usually becomes drier as it ages; this is one of the reasons why players often like the sound of an older guitar. ATR™ advances the natural, post-build drying process so the wood behaves as if it were more mature, stable, and resonant from the first day it is used.

  • The effects of ATR™ are also audible in the instrument. The biggest difference is the clarity and separation between notes and the overall response of the guitar. As the top is drier, it’s also quicker, more resonant, more open, even louder. New guitars can sometimes take time to reach this state as the wood dries over the years. ATR accelerates this effect to deliver a more sophisticated and complex voicing from day one.

Our caring approach to development comes from one unwavering goal: To deliver the best guitars in the market at every price point—instruments of a truly remarkable value that offer an unparalleled player experience.

Thank you for choosing Alvarez.

About the Alvarez Masterworks Series

Making a guitar from all-solid wood delivers strong tonal benefits, and we approach the design of Masterworks to embrace all of them. Top thickness, brace weight and tapering, back design and wood choice all count, and when each is considered as a part of the sum total of the instrument’s voice, great articulation and quality of tone is achieved.

Our FS6 bracing system is a forward-shifted, scalloped X allowing for a slightly larger soundboard area around the bridge. This helps generate more vibration, which is heightened by AAA soundboards and premium components throughout, culminating in powerful voicing, inspiring articulation and instant response.

Masterworks acoustic-electric models are fitted with the LR Baggs HiFi system. HiFi is a premium, non-invasive design that pairs dual bridge plate sensors with high-fidelity electronics, providing exceptional balance, definition and dynamics. Due to the closed sensor design, HiFi also has excellent feedback resistance and its built-in, studio-quality preamp is voiced to compliment the pickups for an optimal plug-and-play experience.

All Masterworks ship with our durable AFC30 Flexicase.

Our Approach to the Build

All of our solid tops are selected by our team and graded independently of our suppliers. If it isn’t worthy, it isn’t used. Our laminated backs and sides are uniquely constructed with Mahogany as our middle layer, and our inner and outer layers are always matched. 

Artist Elite guitars strike the right balance between strength and vibration, crafting a voice to both inspire and give players “tools in the tone.” Alongside this approach to development lies our respect for sourcing, preparation and nurturing the wood we use to make our guitars. No matter how considered design may be, it can only be as good as the wood we use to realize them. 

Our all-solid wood tops, backs and sides, as well as the mahogany used for our necks, go through a curing process developed over years to create stability, strength and tonal benefits. Depending on the wood and its use, this process takes many months or even years for some of our models.

After months-long seasoning, we perform an extra drying stage in thermo-kilns to further enhance wood stability and improve resonance. We call this process ATR—Advanced Tonal Response. ATR™ is a form of torrefaction—oxygen controlled, vacuum curing at special temperatures to remove more moisture and volatiles such as saps and sugars from the wood. 

This does two things:

  • ATR™ makes our wood more stable when exposed to adverse dry or humid climates. While we can’t stop the effects of dryness or moisture saturation that can damage guitars, ATR™ goes a long way in helping our guitars become more resilient. Guitars will move or change according to the environment they are in and are more likely to move within the first two years from their production. A guitar usually becomes drier as it ages; this is one of the reasons why players often like the sound of an older guitar. ATR™ advances the natural, post-build drying process so the wood behaves as if it were more mature, stable, and resonant from the first day it is used.

  • The effects of ATR™ are also audible in the instrument. The biggest difference is the clarity and separation between notes and the overall response of the guitar. As the top is drier, it’s also quicker, more resonant, more open, even louder. New guitars can sometimes take time to reach this state as the wood dries over the years. ATR accelerates this effect to deliver a more sophisticated and complex voicing from day one.

Our caring approach to development comes from one unwavering goal: To deliver the best guitars in the market at every price point—instruments of a truly remarkable value that offer an unparalleled player experience.

Thank you for choosing Alvarez.

 

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