To celebrate our 60 years, we have made available two very special OMs which are limited to 60 pieces each.

The MF70 Diamond Black Top and MF70 Diamond Shadowburst are superbly made, all solid, Sitka/Rosewood instruments, and elegantly dressed for the occasion. They feature premium abalone diamond inlays in the fretboard, abalone purfling and rosette and unique 12th fret inlay, specially designed and will only ever be used for this limited run. Also, exclusive to these models, is a special soundhole label, and each guitar is numbered. They are limited to 60 pieces each, with a small amount available in lefthand version too. Stunning guitars, wonderfully responsive and rightly limited to help celebrate our 60th birthday!

About the Alvarez Masterworks Series

Making a guitar from all-solid wood delivers strong tonal benefits, and we approach the design of Masterworks to embrace all of them. Top thickness, brace weight and tapering, back design and wood choice all count, and when each is considered as a part of the sum total of the instrument’s voice, great articulation and quality of tone is achieved.

Our FS6 bracing system is a forward-shifted, scalloped X allowing for a slightly larger soundboard area around the bridge. This helps generate more vibration, which is heightened by AAA soundboards and premium components throughout, culminating in powerful voicing, inspiring articulation and instant response.

All Masterworks ship with our durable AFC30 Flexicase.

Our Approach to the Build

All of our solid tops are selected by our team and graded independently of our suppliers. If it isn’t worthy, it isn’t used. Our laminated backs and sides are uniquely constructed with Mahogany as our middle layer, and our inner and outer layers are always matched. 

Artist Elite guitars strike the right balance between strength and vibration, crafting a voice to both inspire and give players “tools in the tone.” Alongside this approach to development lies our respect for sourcing, preparation and nurturing the wood we use to make our guitars. No matter how considered design may be, it can only be as good as the wood we use to realize them. 

Our all-solid wood tops, backs and sides, as well as the mahogany used for our necks, go through a curing process developed over years to create stability, strength and tonal benefits. Depending on the wood and its use, this process takes many months or even years for some of our models.

After months-long seasoning, we perform an extra drying stage in thermo-kilns to further enhance wood stability and improve resonance. We call this process ATR—Advanced Tonal Response. ATR™ is a form of torrefaction—oxygen controlled, vacuum curing at special temperatures to remove more moisture and volatiles such as saps and sugars from the wood. 

This does two things:

  • ATR™ makes our wood more stable when exposed to adverse dry or humid climates. While we can’t stop the effects of dryness or moisture saturation that can damage guitars, ATR™ goes a long way in helping our guitars become more resilient. Guitars will move or change according to the environment they are in and are more likely to move within the first two years from their production. A guitar usually becomes drier as it ages; this is one of the reasons why players often like the sound of an older guitar. ATR™ advances the natural, post-build drying process so the wood behaves as if it were more mature, stable, and resonant from the first day it is used.

  • The effects of ATR™ are also audible in the instrument. The biggest difference is the clarity and separation between notes and the overall response of the guitar. As the top is drier, it’s also quicker, more resonant, more open, even louder. New guitars can sometimes take time to reach this state as the wood dries over the years. ATR accelerates this effect to deliver a more sophisticated and complex voicing from day one.

Our caring approach to development comes from one unwavering goal: To deliver the best guitars in the market at every price point—instruments of a truly remarkable value that offer an unparalleled player experience.

Thank you for choosing Alvarez.

Compare the MF70 Diamond Black Top

Laureate Series
Every constituent part considered; each component hand-selected to achieve optimal quality throughout the build.

A bench made approach to the build

The quality of every component is so important in the overall performance of an acoustic guitar. For Laureate Series we hand select every bridge plate, brace, side brace and piece of kerfing from thousands, to make sure they are the best quality possible for structure and appearance. This dedication can be seen, heard and felt and brings a rare level of detailing to the build process.

Hand finished FS6 bracing

FS6 is based on a traditional forward shifted bracing pattern with particular attention paid to the weight and placement of the struts themselves. For Laureate we take a couple of extra steps and hand sand the braces which are cut from quartersawn Sitka spruce and chosen for their straight, finely grained quality to enhance overall response and vibration.

The finest tonewoods

Only our finest, wonderfully quartersawn and silked Sitka, as well as hand selected African Mahogany is used in Laureate Series. The stiffness and quality of the tops allow us to thickness sand them just a tad thinner to help heighten response. Backs and sides are cut from the best East Indian Rosewood and African Mahogany that comes into our possession; bookmatched with perfect coloring.

A flawless finish

The systems required to achieve the quality we aimed for made us once again improve upon our sanding and painting process to deliver a flawless, deep shine with the thinnest clearcoat we have ever achieved in Alvarez. We’ve also introduced a new colour called Daybreak, a super light burst adding an aesthetic depth to the top and creating a vintage style vibe at the same time.

Appointments & Styling

Bridges, fingerboards and headstock plates are cut from the finest African ebony we can find. The ebony components impact articulation, clarity and separation of notes and frequencies and work with other premium comments to deliver a clear and powerful voicing. This quality of ebony works beautifully with rare Blue Abalone inlays to create a very luxurious but understated vibe.

The Laureate Bridge

Aesthetically, Laureate is a traditional guitar series in the sense its body shapes are based on guitars from the late 1800’s to the 1930’s. With this in mind, we made the decision not to use our Bi-Level bridge and to stay closer in keeping with a traditional approach, and a full, single level bridge style. The Laureate bridge has its own unique styling and is cut from the finest black ebony.

Compare the LF70e Herringbone Blacktop

The AG70ce Black is a beautifully responsive Grand Auditorium guitar delivering glistening trebles and a robust, clear bass response that makes this guitar suitable for most styles of music and playing. It has an understated elegance with striking contrast between the natural AA Sitka top and dark Indian rosewood back and sides.

The AEG70ce is fitted with the LR Baggs StagePro Bronze. The StagePro Bronze is a small-footprint side-mounted EQ incorporating the renowned LR Baggs Element under-saddle pickup. This is a low-profile unit with a large backlit tuner, volume, bass and treble controls and phase. The battery box is built into the end pin jack compartment for easy access with a simple push to open and change batteries.

About Artist Series

Alvarez Artist Series represents our commitment to quality and care. Our goal is to create an instant bond between you and your guitar through meticulous design in bracing, voicing and overall construction. Every component—from our bi-level bridge to our solid bridge plates and neck blocks—is carefully considered to deliver the best response possible from solid-top construction.

Artist Series guitars are responsive with impressive projection and balance that make them both rewarding and inspiring to play.

With a huge selection of body shapes and wood configurations, Artist Series has a guitar for everyone. For a more focused, woody tone, choose a Mahogany top. For a broader, more open projection, choose Sitka. For a warm response to a lighter, melodic touch, choose Cedar.

Our Approach to the Build

All of our solid tops are selected by our team and graded independently of our suppliers. If it isn’t worthy, it isn’t used. Our laminated backs and sides are uniquely constructed with Mahogany as our middle layer, and our inner and outer layers are always matched.

Artist guitars strike the right balance between strength and vibration, crafting a voice to both inspire and give players “tools in the tone.” Alongside this approach to development lies our respect for sourcing, preparation and nurturing the wood we use to make our guitars. No matter how considered design may be, it can only be as good as the wood we use to realize them.

Our all-solid wood tops, backs and sides, as well as the mahogany used for our necks, go through a curing process developed over years to create stability, strength and tonal benefits. Depending on the wood and its use, this process takes many months or even years for some of our models.

After months-long seasoning, we perform an extra drying stage in thermo-kilns to further enhance wood stability and improve resonance. We call this process ATR—Advanced Tonal Response. ATR™ is a form of torrefaction—oxygen controlled, vacuum curing at special temperatures to remove more moisture and volatiles such as saps and sugars from the wood.

This does two things:

  • ATR™ makes our wood more stable when exposed to adverse dry or humid climates. While we can’t stop the effects of dryness or moisture saturation that can damage guitars, ATR™ goes a long way in helping our guitars become more resilient. Guitars will move or change according to the environment they are in and are more likely to move within the first two years from their production. A guitar usually becomes drier as it ages; this is one of the reasons why players often like the sound of an older guitar. ATR™ advances the natural, post-build drying process so the wood behaves as if it were more mature, stable, and resonant from the first day it is used.
  • The effects of ATR™ are also audible in the instrument. The biggest difference is the clarity and separation between notes and the overall response of the guitar. As the top is drier, it’s also quicker, more resonant, more open, even louder. New guitars can sometimes take time to reach this state as the wood dries over the years. ATR accelerates this effect to deliver a more sophisticated and complex voicing from day one.

Our caring approach to development comes from one unwavering goal: To deliver the best guitars in the market at every price point—instruments of a truly remarkable value that offer an unparalleled player experience.

Thank you for choosing Alvarez.

The AEG70ce 12-string black Grand Auditorium offers a wall of shimmering chorus that only a 12-string can. It has a flawless, black gloss top matched with East Indian Rosewood back and sides, creating a high-end, premium vibe. Our FST2 bracing system helps deliver a near perfect balance between strength and vibration to allow this guitar to respond extremely well and deliver a broad spectrum of tone with excellent projection.
 
The AEG70ce is fitted with the LR Baggs StagePro Bronze. The StagePro Bronze is a small-footprint side-mounted EQ incorporating the renowned LR Baggs Element under-saddle pickup. This is a low-profile unit with a large backlit tuner, volume, bass and treble controls and phase. The battery box is built into the end pin jack compartment for easy access with a simple push to open and change batteries.

About Artist Series

Alvarez Artist Series represents our commitment to quality and care. Our goal is to create an instant bond between you and your guitar through meticulous design in bracing, voicing and overall construction. Every component—from our bi-level bridge to our solid bridge plates and neck blocks—is carefully considered to deliver the best response possible from solid-top construction. 
 
Artist Series guitars are responsive with impressive projection and balance that make them both rewarding and inspiring to play. 
 
With a huge selection of body shapes and wood configurations, Artist Series has a guitar for everyone. For a more focused, woody tone, choose a Mahogany top. For a broader, more open projection, choose Sitka. For a warm response to a lighter, melodic touch, choose Cedar. 

Our Approach to the Build

All of our solid tops are selected by our team and graded independently of our suppliers. If it isn’t worthy, it isn’t used. Our laminated backs and sides are uniquely constructed with Mahogany as our middle layer, and our inner and outer layers are always matched. 

Artist guitars strike the right balance between strength and vibration, crafting a voice to both inspire and give players “tools in the tone.” Alongside this approach to development lies our respect for sourcing, preparation and nurturing the wood we use to make our guitars. No matter how considered design may be, it can only be as good as the wood we use to realize them. 

Our all-solid wood tops, backs and sides, as well as the mahogany used for our necks, go through a curing process developed over years to create stability, strength and tonal benefits. Depending on the wood and its use, this process takes many months or even years for some of our models.

After months-long seasoning, we perform an extra drying stage in thermo-kilns to further enhance wood stability and improve resonance. We call this process ATR—Advanced Tonal Response. ATR™ is a form of torrefaction—oxygen controlled, vacuum curing at special temperatures to remove more moisture and volatiles such as saps and sugars from the wood.

This does two things:

  • ATR™ makes our wood more stable when exposed to adverse dry or humid climates. While we can’t stop the effects of dryness or moisture saturation that can damage guitars, ATR™ goes a long way in helping our guitars become more resilient. Guitars will move or change according to the environment they are in and are more likely to move within the first two years from their production. A guitar usually becomes drier as it ages; this is one of the reasons why players often like the sound of an older guitar. ATR™ advances the natural, post-build drying process so the wood behaves as if it were more mature, stable, and resonant from the first day it is used.

  • The effects of ATR™ are also audible in the instrument. The biggest difference is the clarity and separation between notes and the overall response of the guitar. As the top is drier, it’s also quicker, more resonant, more open, even louder. New guitars can sometimes take time to reach this state as the wood dries over the years. ATR accelerates this effect to deliver a more sophisticated and complex voicing from day one.

Our caring approach to development comes from one unwavering goal: To deliver the best guitars in the market at every price point—instruments of a truly remarkable value that offer an unparalleled player experience.

Thank you for choosing Alvarez.

Our Artist Series Dreadnoughts are crafted to achieve outstanding levels of fit, finish, and tonal ability. They are powerful, articulate and voiced to get the best from the Dreadnought body mass through our FS6, forward-shifted, scalloped bracing system. Sonically, they have a broad projection with clear, sonorous bass frequencies and lively trebles.

The AD60ce 12-String Dreadnought is a powerful, bold and open guitar constructed from all-Mahogany laminates and A+ solid, North American Sitka spruce top. It has a flawless, thin gloss finish on the top, which exudes a lustrous shine, complemented by a semi-gloss sheen on the back and sides. These features help the soundbox vibrate and respond intuitively to your playing. This impressive 12-string has all the chime and chorus you would expect and it’s an ideal guitar for sonic discovery.

This cutaway model allows for easy access up the neck and is fitted with the LR Baggs StagePro Bronze. The StagePro Bronze is a small-footprint side-mounted EQ incorporating the renowned LR Baggs Element under-saddle pickup. This is a low-profile unit with a large backlit tuner, volume, bass and treble controls and phase. The battery box is built into the end pin jack compartment for easy access with a simple push to open and change batteries.

About Artist Series

Alvarez Artist Series represents our commitment to quality and care. Our goal is to create an instant bond between you and your guitar through meticulous design in bracing, voicing and overall construction. Every component—from our bi-level bridge to our solid bridge plates and neck blocks—is carefully considered to deliver the best response possible from solid-top construction.

Artist Series guitars are responsive with impressive projection and balance that make them both rewarding and inspiring to play.

With a huge selection of body shapes and wood configurations, Artist Series has a guitar for everyone. For a more focused, woody tone, choose a Mahogany top. For a broader, more open projection, choose Sitka. For a warm response to a lighter, melodic touch, choose Cedar.

Our Approach to the Build

All of our solid tops are selected by our team and graded independently of our suppliers. If it isn’t worthy, it isn’t used. Our laminated backs and sides are uniquely constructed with Mahogany as our middle layer, and our inner and outer layers are always matched.

Artist guitars strike the right balance between strength and vibration, crafting a voice to both inspire and give players “tools in the tone.” Alongside this approach to development lies our respect for sourcing, preparation and nurturing the wood we use to make our guitars. No matter how considered design may be, it can only be as good as the wood we use to realize them.

Our all-solid wood tops, backs and sides, as well as the mahogany used for our necks, go through a curing process developed over years to create stability, strength and tonal benefits. Depending on the wood and its use, this process takes many months or even years for some of our models.

After months-long seasoning, we perform an extra drying stage in thermo-kilns to further enhance wood stability and improve resonance. We call this process ATR—Advanced Tonal Response. ATR™ is a form of torrefaction—oxygen controlled, vacuum curing at special temperatures to remove more moisture and volatiles such as saps and sugars from the wood.

This does two things:

  • ATR™ makes our wood more stable when exposed to adverse dry or humid climates. While we can’t stop the effects of dryness or moisture saturation that can damage guitars, ATR™ goes a long way in helping our guitars become more resilient. Guitars will move or change according to the environment they are in and are more likely to move within the first two years from their production. A guitar usually becomes drier as it ages; this is one of the reasons why players often like the sound of an older guitar. ATR™ advances the natural, post-build drying process so the wood behaves as if it were more mature, stable, and resonant from the first day it is used.
  • The effects of ATR™ are also audible in the instrument. The biggest difference is the clarity and separation between notes and the overall response of the guitar. As the top is drier, it’s also quicker, more resonant, more open, even louder. New guitars can sometimes take time to reach this state as the wood dries over the years. ATR accelerates this effect to deliver a more sophisticated and complex voicing from day one.

Our caring approach to development comes from one unwavering goal: To deliver the best guitars in the market at every price point—instruments of a truly remarkable value that offer an unparalleled player experience.

Thank you for choosing Alvarez.

Tuned from B to B, the ABT60ce 8-String is pitched between a dreadnought and acoustic bass, giving you deep, sonorous tones. Providing easy playability, chord shapes and scales on this baritone are the same as a standard six-string, only with a lower voicing.

The FST2 bracing finds the perfect harmony between rigidity and vibration, allowing the top to be both driven and controlled by the air volume this guitar creates. Delivering both balance and liveliness, the symmetry is inspiring for every player.

This 8-string model is a portal into musical discovery. The lower register is augmented with two-octave strings on the 3rd and 4th strings, bringing layers of treble response and octave shimmer to the deeper voice of a baritone.

If you approach this guitar in a percussive fingerstyle fashion, it is mind-bendingly versatile, sounding almost as though an octave pedal or second instrument is present.

The ABT60ce 8-String is fitted with the LR Baggs StagePro Bronze. The StagePro Bronze is a small-footprint side-mounted EQ incorporating the renowned LR Baggs Element under-saddle pickup. This is a low-profile unit with a large backlit tuner, volume, bass and treble controls and phase. The battery box is built into the end pin jack compartment for easy access with a simple push to open and change batteries.

About Artist Series

Alvarez Artist Series represents our commitment to quality and care. Our goal is to create an instant bond between you and your guitar through meticulous design in bracing, voicing and overall construction. Every component—from our bi-level bridge to our solid bridge plates and neck blocks—is carefully considered to deliver the best response possible from solid-top construction. 
 
Artist Series guitars are responsive with impressive projection and balance that make them both rewarding and inspiring to play. 
 
With a huge selection of body shapes and wood configurations, Artist Series has a guitar for everyone. For a more focused, woody tone, choose a Mahogany top. For a broader, more open projection, choose Sitka. For a warm response to a lighter, melodic touch, choose Cedar. 

Our Approach to the Build

All of our solid tops are selected by our team and graded independently of our suppliers. If it isn’t worthy, it isn’t used. Our laminated backs and sides are uniquely constructed with Mahogany as our middle layer, and our inner and outer layers are always matched. 

Artist guitars strike the right balance between strength and vibration, crafting a voice to both inspire and give players “tools in the tone.” Alongside this approach to development lies our respect for sourcing, preparation and nurturing the wood we use to make our guitars. No matter how considered design may be, it can only be as good as the wood we use to realize them. 

Our all-solid wood tops, backs and sides, as well as the mahogany used for our necks, go through a curing process developed over years to create stability, strength and tonal benefits. Depending on the wood and its use, this process takes many months or even years for some of our models.

After months-long seasoning, we perform an extra drying stage in thermo-kilns to further enhance wood stability and improve resonance. We call this process ATR—Advanced Tonal Response. ATR™ is a form of torrefaction—oxygen controlled, vacuum curing at special temperatures to remove more moisture and volatiles such as saps and sugars from the wood.

This does two things:

  • ATR™ makes our wood more stable when exposed to adverse dry or humid climates. While we can’t stop the effects of dryness or moisture saturation that can damage guitars, ATR™ goes a long way in helping our guitars become more resilient. Guitars will move or change according to the environment they are in and are more likely to move within the first two years from their production. A guitar usually becomes drier as it ages; this is one of the reasons why players often like the sound of an older guitar. ATR™ advances the natural, post-build drying process so the wood behaves as if it were more mature, stable, and resonant from the first day it is used.

  • The effects of ATR™ are also audible in the instrument. The biggest difference is the clarity and separation between notes and the overall response of the guitar. As the top is drier, it’s also quicker, more resonant, more open, even louder. New guitars can sometimes take time to reach this state as the wood dries over the years. ATR accelerates this effect to deliver a more sophisticated and complex voicing from day one.

Our caring approach to development comes from one unwavering goal: To deliver the best guitars in the market at every price point—instruments of a truly remarkable value that offer an unparalleled player experience.

Thank you for choosing Alvarez.

Our Dreadnoughts are powerful and rewarding. This acoustic electric model is fitted with the LR Baggs StagePro EQ and Element pick up to optimize live performance. With a body of Rosewood, the AD70ce Black will accent the bass and treble just a little more. Perfect.

After 50 years of making guitars, continual improvement through the use of emerging technologies, processes, and materials is still at the heart of our culture. Alvarez guitars are constructed correctly in every sense, from raw material preparation to construction and manufacturing processes. Our tone woods are carefully cured; our components such as neck blocks and wood joints are carefully designed. The painting, sanding and polishing techniques we use are continually researched and developed, and our tone is impeccably crafted and married to a stable, consistent and lively sound box.

This caring approach to development comes from one simple goal: To deliver the best guitars in the market at every price point, instruments that are truly amazing value and offer a fantastic player experience.

We believe our multi award winning Artist Series is one of the finest solid top guitar lines in the world today and demonstrates our commitment to design.

The term “solid top” of course refers to the soundboard of an acoustic guitar being made of solid wood, rather than being laminated. However, just because the top is solid, it does not necessarily mean the sound automatically benefits from this feature. The tone of the instrument only improves significantly when the whole guitar is built correctly to optimize the energy a solid soundboard can generate. Artist Series is built to do exactly this.

Each model is designed to get the best out if its components, and for them to work together to produce balance, lively projection and great response. These components include our FS6 bracing system, bi-level rosewood bridge, real bone nut and saddle, great quality tone woods and thin finish.

Artist Series feel right and are exciting to play; no matter if you are strumming hard or picking lightly, the guitar will do what you ask of it. For a more focused sound with fewer overtones, choose a mahogany top. For power, go for Sitka. For warmth and response to a lighter touch, choose a Cedar top.

All of our tops are selected by our team and graded independently of our suppliers. If it isn’t worthy, we won’t use it. Top quality improves as you move up the Artist Series models but all are stiff and finely grained.

Along with a more angled headstock, our bi-level bridge increases string tension by making the break angel of the strings from the saddle to the top more acute. Improved string tension adds to our sound, feel and response, which are also heightened by the use of real bone nuts and saddles.

Artist Series also demonstrates our great finishing capabilities; the gloss models have a clear deep shine from a finish that is applied as thinly as possible, again to help optimize tone.

Thank you for choosing Alvarez.