“Solid Sitka with Solid Indian Rosewood is a combination that’s hard to beat when it comes to building a powerful, dynamic and charismatic instrument. The wood choice helps us deliver a resonant instrument suitable for a wide range of playing and musical styles.

The DYM70 never seems to run out of punch and its dynamic range is vast. Stroke it and it will whisper as quietly as you want it to; strum it as hard as you can and it will sing as loud as you need it to.

Everything is apparent in this guitar; bass, mids and trebles work together, never fighting each other, leaving the player free to approach the guitar from the song’s requirements rather than compensating for overly lively or underperforming response.

Like all Yairis, the DYM70 has an extended dovetail neck construction that maximizes the energy transfer between the neck and body. It also allows for a wider range of rod adjustment, decreasing the risk of any neck/body irregularities.

Further innovation comes with the Direct Coupled Bridge. This system displays the craftsmanship with which these guitars are made. The DC Bridge means the pins actually go into the top of the guitar, taking the vibration to the heart of the soundboard and simultaneously increasing the break angle from the saddle to the top. This increased down pressure raises string tension, giving the guitar a very responsive feel and adding quality to its volume and sustain.

Like all Yairi Masterworks, this guitar is made from premium tonewood that has been seasoned naturally for 5 to 15 years in the perfect climate of Kani.

Kani is in the prefecture of Gifu in the hills north of Nagoya. This wood preparation and environment for building guitars is very important to the structural integrity of the instrument and helps to ensure decades of stability and performance from your Yairi.

The DYM70 is our line in the sand—from here on in, it’s the guitar that sets the standard for all our future development. From the outset it was this model that we built dozens of samples of, refining the construction and bracing along the way to find the sound we wanted. We believe this is one of the best guitars in the market, an unfailing instrument that delivers player satisfaction note after note.”

In the small town of Kani, nestled in the hills north of Nagoya, Japan, lies the renowned K. Yairi guitar factory. They have been crafting guitars here for over 80 years.

Alvarez and Yairi have enjoyed an uninterrupted 55-year partnership in producing exquisite guitars, made by hand, from naturally seasoned woods with an unwavering commitment to quality and design. Every neck is spoke shaved by hand, braces are carved, and tops are tuned to perfection. The attention to detail and quality of the build are impeccable.

Kazuo Yairi and his loyal team of luthiers created an incredibly efficient and innovative workshop. Being able to work with such a lineage of master builders is very rare. Some of the luthiers have been at Yairi for over 50 years. Their skills and experience are shared with younger luthiers to form a multi-generational team who have chosen guitar building as their livelihood and dedicated their working lives to the craft. Our guitars are the result of the close collaboration between Alvarez & Yairi—a sharing of knowledge and an obsessional approach to excellence.

2024 is an exciting year as we introduce a new voicing and tonal response in our Honduran and Masterworks Series. This voicing is designed to widen the tonal palette, and to bring a more robust, clear bass response and a compelling openness to the guitar.

We call our new bracing system FST6. It is similar in shape and placement to our previous FST2 system, but the braces are lighter in weight. In the quest to strike the perfect balance between strength and vibration, FST6 delivers with a heightened richness we found impossible not to embrace.

Playing an instrument that instantly, almost intuitively reacts to your requests is a result we continually strive to achieve. We feel FST6 increases the connection with the player and responds effortlessly.

2024 also sees us launch new models and bring an array of new wood configurations to certain body shapes we have never made before. To our Honduran Series, we add an all-Mahogany 12th fret Parlor and a stunning non-cutaway Grand Auditorium. Masterworks expands its offering with a majestic mix of tonewoods. Californian Redwood, purchased by Mr. Yairi many decades ago, has been paired with East Indian Rosewood, and AAAA Adirondack is now also available with Rosewood. Both parings help to create rare and inspirational instruments with new tonal horizons.

2024 Masterworks also offers several new Grand Auditorium and OM models with a much-expanded choice of colors and tonewoods.

In Yairi Masterworks, the acoustic-electric versions are fitted with the new Hi-Fi system from LR Baggs. In Yairi Stage and Standard series, we’ve embraced the LR Baggs Stage Pro Bronze, a new low-profile, small footprint, modern EQ with the Element pickup.

Alvarez-Yairi 2024 is without the most exciting new line-up we have ever offered – a brand new, exquisite voicing for our all-solid models, glorious new tonewood configurations in Masterworks and new EQs and pickups. They are, quite simply, the best guitars we have ever made.

The MG60CESHB is beautiful and articulate yet understated, with clean lines and minimal decoration. This design language allows the AAA solid Sitka top to take center stage, shimmering under a flawless Shadowburst gloss.

Sonically, this guitar is everything you would expect from an all-solid Grand Auditorium body. It has been designed to achieve an open projection, instant response and broad tonal palette. Bass frequencies are clear and defined, and the marriage of Sitka and mahogany deliver strong woody mids, and the Grand Auditorium body helps to accentuate the sparkling trebles.

The MG60CESHB is made with a cutaway to allow access to higher frets and is fitted with the excellent LR Baggs VTC system with Element pickup and soundhole console.

About Masterworks Series

We created our Masterworks Series to be the best value all-solid guitar line available to players today. Their specification is incredibly high in relation to their cost and they perform as all-solid professional guitars should, with fantastic response and projection.

Nothing can really match a guitar made from all-solid wood. The deflection of the notes is quicker, the quality of the sound is better, you can obtain optimal response and the sound of your guitar only improves as it ages.

After 55 years of making guitars, continual improvement through the use of emerging technologies, processes, and materials is still at the heart of our culture. Alvarez guitars are constructed correctly in every sense, from raw material preparation to construction and manufacturing processes.

Our tonewoods are carefully cured; our components such as neck blocks and wood joints are carefully designed. The painting, sanding and polishing techniques we use are continually researched and developed, and our tone is impeccably crafted and married to a stable, consistent and lively soundbox.

This caring approach to development comes from one simple goal: To deliver the best guitars in the market at every price point, instruments that are truly amazing value and offer a fantastic player experience.

The term “all-solid” refers to the guitar top, back and sides being made of solid wood rather than laminated. However, even when the guitar is made of all solid tonewood, it only performs to its full potential when it is designed to get the best out of its materials and components. The tops we use in Masterworks are premium grades, which means we can make them slightly thinner to heighten vibration. The radius of both the top and back are also refined to help increase volume.

Each guitar is designed to get the best out of its components, and for them to work together. These components include our FS6 bracing system, bi-level bridges, real bone nuts and saddles, carefully seasoned tonewoods and a thin finish.

FS6 is a forward shifted X brace design. This means the axis of the X is closer to the soundhole, creating a larger soundboard area to harness more energy and vibration. Both the X braces and asymmetric tone bars are carefully scalloped, a design that was the result of continual development in our Yairi workshops. Our FS6 system brings uniformity across Dreadnought, Grand Auditorium, OM and Parlor body sizes, so that the voicing has a similar character, but the individual tone is more purely influenced by the size and shape of the guitar.

The Masterworks personality is open and powerful. FS6 also creates very good balance so both the treble and bass registers are clearly present and balanced in relation to each other. All of our tops are selected by our team and graded independently of our suppliers, then cured with care using traditional ovens and modern thermo-kilns.

Along with a more angled headstock, our bi-level bridge increases string tension by making the break angle of the strings from the saddle to the top more acute. Improved string tension adds to our sound, feel and response, which are also heightened by the use of real bone nuts and saddles.

We hope you can see and feel our unwavering attention to detail and that it inspires you every time you play our guitars.

Thank you for choosing Alvarez.

The MD60CESHB is beautiful and powerful yet understated, with clean lines and minimal decoration. This design language allows the AAA solid Sitka top to take center stage, shimmering under a flawless Shadowburst gloss.

Sonically, this guitar is everything you would expect from an all-solid Dreadnought body. It has been designed to achieve an open projection, instant response and broad tonal palette. Bass frequencies are clear and robust, and the marriage of Sitka and mahogany deliver strong woody mids and sparkling trebles. 

The MD60CESHB is made with a cutaway to allow access to higher frets and is fitted with the excellent LR Baggs VTC system with Element pickup and soundhole console.

About Masterworks Series

We created our Masterworks Series to be the best value all-solid guitar line available to players today. Their specification is incredibly high in relation to their cost and they perform as all-solid professional guitars should, with fantastic response and projection.

Nothing can really match a guitar made from all-solid wood. The deflection of the notes is quicker, the quality of the sound is better, you can obtain optimal response and the sound of your guitar only improves as it ages.

After 55 years of making guitars, continual improvement through the use of emerging technologies, processes, and materials is still at the heart of our culture. Alvarez guitars are constructed correctly in every sense, from raw material preparation to construction and manufacturing processes.

Our tonewoods are carefully cured; our components such as neck blocks and wood joints are carefully designed. The painting, sanding and polishing techniques we use are continually researched and developed, and our tone is impeccably crafted and married to a stable, consistent and lively soundbox.

This caring approach to development comes from one simple goal: To deliver the best guitars in the market at every price point, instruments that are truly amazing value and offer a fantastic player experience.

The term “all-solid” refers to the guitar top, back and sides being made of solid wood rather than laminated. However, even when the guitar is made of all solid tonewood, it only performs to its full potential when it is designed to get the best out of its materials and components. The tops we use in Masterworks are premium grades, which means we can make them slightly thinner to heighten vibration. The radius of both the top and back are also refined to help increase volume.

Each guitar is designed to get the best out of its components, and for them to work together. These components include our FS6 bracing system, bi-level bridges, real bone nuts and saddles, carefully seasoned tonewoods and a thin finish.

FS6 is a forward shifted X brace design. This means the axis of the X is closer to the soundhole, creating a larger soundboard area to harness more energy and vibration. Both the X braces and asymmetric tone bars are carefully scalloped, a design that was the result of continual development in our Yairi workshops. Our FS6 system brings uniformity across Dreadnought, Grand Auditorium, OM and Parlor body sizes, so that the voicing has a similar character, but the individual tone is more purely influenced by the size and shape of the guitar.

The Masterworks personality is open and powerful. FS6 also creates very good balance so both the treble and bass registers are clearly present and balanced in relation to each other. All of our tops are selected by our team and graded independently of our suppliers, then cured with care using traditional ovens and modern thermo-kilns.

Along with a more angled headstock, our bi-level bridge increases string tension by making the break angle of the strings from the saddle to the top more acute. Improved string tension adds to our sound, feel and response, which are also heightened by the use of real bone nuts and saddles.

We hope you can see and feel our unwavering attention to detail and that it inspires you every time you play our guitars.

Thank you for choosing Alvarez.

This LJ looks incredible with a Shadowburst AA solid North American Sitka spruce soundboard and Pau Ferro back and sides, with Macassar Ebony binding and bevel armrest – quite possibly one of the poshest travel guitars we have ever seen. It also sounds great, with more volume and body to its tone than you would expect from its diminutive size.

The voicing is achieved through a modified FS6 bracing pattern and some light graduating of the top to enhance vibration. The tone is very clear, instantly responsive and you can play any style of music on this guitar. Another great feature is that the fretting does not feel tight on space for a small guitar, with a full-size nut width at 1.75”.

This first-class LJ is also fitted with a pro pickup system for those who wish to use a smaller guitar on stage. The LR Baggs VTC with element pickup has an end pin mounted pre-amp and soundhole console for tone and volume and sounds superb. Ships with our AGB-15 Deluxe gig bag too, so you are ready to roll!

About Artist Elite

In conceptualizing Artist Elite, our goal was to produce a collection of guitars beyond comparison. This incredible line of guitars is the culmination of years of R&D that allow us to develop custom style instruments from amazing tonewoods with a truly radiant vibe. Artist Elite guitars look amazing, sound rich and offer a level of fit and finish rarely attainable at such price points.

Master Luthiers around the world have been crafting bevel-edged armrest guitars for many years. The feature makes the guitar more comfortable to play while adding a finesse to the instrument, allowing the maker to engage their skill and craftsmanship.

After 55 years of making guitars, continual improvement through the use of emerging technologies, processes, and materials is still at the heart of our culture. Alvarez guitars are constructed correctly in every sense, from raw material preparation to construction and manufacturing processes.

Our tonewoods are carefully cured; our components such as neck blocks and wood joints are carefully designed. The painting, sanding and polishing techniques we use are continually researched and developed, and our tone is impeccably crafted and married to a stable, consistent and lively soundbox.

The term “solid top” refers to the guitar’s soundboard being made of solid wood rather than laminates. However, even when the guitar top is made of solid wood, the tone of the instrument only improves significantly when the whole guitar is built correctly to optimize the energy a solid soundboard can generate. Artist Series is built to do exactly this.

Each model is designed to get the best out of its components, and for them to work together to produce balance, lively projection and great response. These components include our FS6 bracing design, which allows the soundbox to sing and brings uniformity across Dreadnought, Grand Auditorium, OM and Parlor body sizes. This means the voicing has a similar character, but the individual tone is more purely influenced by the size and shape of the guitar.

Our bi-level bridge is designed to heighten string tension and improve sustain and response. Real bone nut and saddle, premium tonewoods, and our crafted attenuated finish all further the quality of construction and positively impact the performance of the instrument. The personality and voicing of Artist Series is open, dynamic and instantly responsive.

This caring approach to development comes from one simple goal: To deliver the best guitars in the market at every price point, instruments that are truly amazing value and offer a fantastic player experience.

Thank you for choosing Alvarez.

Alvarez Artist ukuleles are lively and sophisticated instruments that deliver an exceptional player experience.

Alvarez ukuleles have been carefully designed to bring players an open-sounding and responsive instrument with good projection, rich volume and fine tone.

All Alvarez ukuleles are constructed with a dovetail neck joint for optimal strength and transfer of energy between the neck and body. The bracing design is a modification on traditional fan-style braces to optimize response. This response is also aided by a solid “slotted” rosewood bridge, which enhances projection and helps to make string changes easier and quicker. The AU70WBE is fitted with our AUE 20 EQ with built in tuner.

Other appointments and features include quality-seasoned tonewoods, real bone nut and saddles, mahogany neck, rosewood fingerboard and premium tuners.

A 12th fret Dreadnought really works for many players – some say it’s because the position of the bridge is right in the middle of the soundboard. Some say it’s that your fretting hand is closer, or even just the overall feel and string tension. Whatever it is, it certainly works.

The MDR70SB has a round and full tone with lots of clear bass frequencies and glistening trebles. Its response is instant, and its notes are clear and robust. When strumming, the FS6 bracing system and AAA Sitka top help deliver clarity and separation. The balance is clearly audible across all six strings.

The MDR is a beautifully finished instrument with a deep shine and thin poly finish. Traditional appointments come in the way of a slotted headstock, open gear tuners and pre-war style sunburst.

The projection and overall breadth of tonal reach in these guitars is outstanding, making it hard to put down for those players looking for a powerful open voicing and feel of a 12th Fret Dreadnought.

About Masterworks Series

We created our Masterworks Series to be the best value all-solid guitar line available to players today. Their specification is incredibly high in relation to their cost and they perform as all-solid professional guitars should, with fantastic response and projection.

Nothing can really match a guitar made from all-solid wood. The deflection of the notes is quicker, the quality of the sound is better, you can obtain optimal response and the sound of your guitar only improves as it ages.

After 55 years of making guitars, continual improvement through the use of emerging technologies, processes, and materials is still at the heart of our culture. Alvarez guitars are constructed correctly in every sense, from raw material preparation to construction and manufacturing processes.

Our tonewoods are carefully cured; our components such as neck blocks and wood joints are carefully designed. The painting, sanding and polishing techniques we use are continually researched and developed, and our tone is impeccably crafted and married to a stable, consistent and lively soundbox.

This caring approach to development comes from one simple goal: To deliver the best guitars in the market at every price point, instruments that are truly amazing value and offer a fantastic player experience.

The term “all-solid” refers to the guitar top, back and sides being made of solid wood rather than laminated. However, even when the guitar is made of all solid tonewood, it only performs to its full potential when it is designed to get the best out of its materials and components. The tops we use in Masterworks are premium grades, which means we can make them slightly thinner to heighten vibration. The radius of both the top and back are also refined to help increase volume.

Each guitar is designed to get the best out of its components, and for them to work together. These components include our FS6 bracing system, bi-level bridges, real bone nuts and saddles, carefully seasoned tonewoods and a thin finish.

FS6 is a forward shifted X brace design. This means the axis of the X is closer to the soundhole, creating a larger soundboard area to harness more energy and vibration. Both the X braces and asymmetric tone bars are carefully scalloped, a design that was the result of continual development in our Yairi workshops. Our FS6 system brings uniformity across Dreadnought, Grand Auditorium, OM and Parlor body sizes, so that the voicing has a similar character, but the individual tone is more purely influenced by the size and shape of the guitar.

The Masterworks personality is open and powerful. FS6 also creates very good balance so both the treble and bass registers are clearly present and balanced in relation to each other. All of our tops are selected by our team and graded independently of our suppliers, then cured with care using traditional ovens and modern thermo-kilns.

Along with a more angled headstock, our bi-level bridge increases string tension by making the break angle of the strings from the saddle to the top more acute. Improved string tension adds to our sound, feel and response, which are also heightened by the use of real bone nuts and saddles.

We hope you can see and feel our unwavering attention to detail and that it inspires you every time you play our guitars.

Thank you for choosing Alvarez.

In 2018 we launched the MD60BG, our take on a Bluegrass styled Dreadnought with modern dynamics for players looking for that optimal full tone. The MD60BG has become one of our best-selling guitars, and our Rosewood version takes power and clarity to a new level.

The MD70BG’s response is instant, and its notes are clear and robust. The rosewood helps deliver sonorous bass frequencies complemented by shimmering trebles. When strumming, the FS6 bracing system and AAA Sitka top help deliver clarity and separation, and balance is clearly audible across all six strings.

These beautifully dressed guitars pay tribute to traditional Bluegrass instruments with open gear nickel tuners, classic inlays, premium tortoiseshell style pickguard and a flawless gloss finish.

The projection and overall breadth of tonal reach of this guitar is outstanding, making it hard to put down for those players looking for a powerful open voicing and instant response.

About Masterworks Series

We created our Masterworks Series to be the best value all-solid guitar line available to players today. Their specification is incredibly high in relation to their cost and they perform as all-solid professional guitars should, with fantastic response and projection.

Nothing can really match a guitar made from all-solid wood. The deflection of the notes is quicker, the quality of the sound is better, you can obtain optimal response and the sound of your guitar only improves as it ages.

After 55 years of making guitars, continual improvement through the use of emerging technologies, processes, and materials is still at the heart of our culture. Alvarez guitars are constructed correctly in every sense, from raw material preparation to construction and manufacturing processes.

Our tonewoods are carefully cured; our components such as neck blocks and wood joints are carefully designed. The painting, sanding and polishing techniques we use are continually researched and developed, and our tone is impeccably crafted and married to a stable, consistent and lively soundbox.

This caring approach to development comes from one simple goal: To deliver the best guitars in the market at every price point, instruments that are truly amazing value and offer a fantastic player experience.

The term “all-solid” refers to the guitar top, back and sides being made of solid wood rather than laminated. However, even when the guitar is made of all solid tonewood, it only performs to its full potential when it is designed to get the best out of its materials and components. The tops we use in Masterworks are premium grades, which means we can make them slightly thinner to heighten vibration. The radius of both the top and back are also refined to help increase volume.

Each guitar is designed to get the best out of its components, and for them to work together. These components include our FS6 bracing system, bi-level bridges, real bone nuts and saddles, carefully seasoned tonewoods and a thin finish.

FS6 is a forward shifted X brace design. This means the axis of the X is closer to the soundhole, creating a larger soundboard area to harness more energy and vibration. Both the X braces and asymmetric tone bars are carefully scalloped, a design that was the result of continual development in our Yairi workshops. Our FS6 system brings uniformity across Dreadnought, Grand Auditorium, OM and Parlor body sizes, so that the voicing has a similar character, but the individual tone is more purely influenced by the size and shape of the guitar.

The Masterworks personality is open and powerful. FS6 also creates very good balance so both the treble and bass registers are clearly present and balanced in relation to each other. All of our tops are selected by our team and graded independently of our suppliers, then cured with care using traditional ovens and modern thermo-kilns.

Along with a more angled headstock, our bi-level bridge increases string tension by making the break angle of the strings from the saddle to the top more acute. Improved string tension adds to our sound, feel and response, which are also heightened by the use of real bone nuts and saddles.

We hope you can see and feel our unwavering attention to detail and that it inspires you every time you play our guitars.

Thank you for choosing Alvarez.

Whether you’re ready to travel, hit the beach or laze around the house, small body acoustic guitars can be the perfect companion, which is one reason demand never seems to slow. With a few tweaks and careful design, small body guitars can sound fantastic and much louder and balanced than you might think.

The LJ2 is a fantastic “Little Jumbo” with wonderful projection and balance, now available with a cutaway in our flawless Shadowburst finish. It’s made with high-grade solid Sitka top and is carefully designed to get the best out of its small body while staying clear and balanced. Many small-bodied guitars will have a “tubby” or “muddy” voicing. We’ve managed to give the voice clarity, balance and volume, making it a fun instrument to play and a great travel companion.

The LJ2CESHB is fitted with the SYS250 EQ with backlit tuner and ships with our AGB15 deluxe Alvarez gig bag.

About Artist Series

Our multi-award winning Artist Series represents our commitment to quality and design, making it one of the finest solid top guitar lines in the world today.

Artist Series feel right and are exciting to play; whether you are strumming hard or picking lightly, the guitar will do what you ask of it. For a more focused sound with fewer overtones, choose a mahogany top. For a more open projection, go for Sitka. For warmth and response to a lighter touch, choose a Cedar top.

All of our tops are selected by our team and graded independently of our suppliers. If it isn’t worthy, we won’t use it. While top quality improves as you move up the Artist Series models, all are stiff and finely grained.

After 55 years of making guitars, continual improvement through the use of emerging technologies, processes, and materials is still at the heart of our culture. Alvarez guitars are constructed correctly in every sense, from raw material preparation to construction and manufacturing processes.

Our tonewoods are carefully cured; our components such as neck blocks and wood joints are carefully designed. The painting, sanding and polishing techniques we use are continually researched and developed, and our tone is impeccably crafted and married to a stable, consistent and lively soundbox.

This caring approach to development comes from one simple goal: To deliver the best guitars in the market at every price point, instruments that are truly amazing value and offer a fantastic player experience.

The term “solid top” refers to the guitar’s soundboard being made of solid wood rather than laminates. However, even when the guitar top is made of solid wood, the tone of the instrument only improves significantly when the whole guitar is built correctly to optimize the energy a solid soundboard can generate. Artist Series is built to do exactly this.

Each model is designed to get the best out of its components, and for them to work together to produce balance, lively projection and great response. These components include our FS6 bracing design, which allows the soundbox to sing and brings uniformity across Dreadnought, Grand Auditorium, OM and Parlor body sizes. This means the voicing has a similar character, but the individual tone is more purely influenced by the size and shape of the guitar.

Our bi-level bridge is designed to heighten string tension and improve sustain and response. Real bone nut and saddle, premium tonewoods, and our crafted attenuated finish all further the quality of construction and positively impact the performance of the instrument. Artist Series gloss models have a clear deep shine from a finish that is applied as thinly as possible to optimize tone. The personality and voicing of Artist Series is open, dynamic and instantly responsive.

Thank you for choosing Alvarez.

The sound of a 12-string is unmistakable, but 12 strings on a neck can make it a challenge for some players. There is a lot of tension and the nut width is generally wider. That’s why we created the Alvarez 8-string, bringing you 12-string shimmer with less tension and a standard width neck and nut.

We double up on the G (3rd) and D (4th) strings and it’s quite amazing how much 12-string shimmer you can get from just adding these two octaves. It also makes this guitar great fun for lots of exploration, and the octave tones when fingerpicking add a little extra dimension and charm.

The AG 8-string has a superbly open and resonant voicing and instant response. This is a beautiful looking guitar with a flawless deep shine, thin poly Shadowburst finish, North American Sitka spruce top and fitted with the fantastic LR Baggs StagePro EQ and Element Pickup.

About Artist Series

Our multi-award winning Artist Series represents our commitment to quality and design, making it one of the finest solid top guitar lines in the world today.

Artist Series feel right and are exciting to play; whether you are strumming hard or picking lightly, the guitar will do what you ask of it. For a more focused sound with fewer overtones, choose a mahogany top. For a more open projection, go for Sitka. For warmth and response to a lighter touch, choose a Cedar top.

All of our tops are selected by our team and graded independently of our suppliers. If it isn’t worthy, we won’t use it. While top quality improves as you move up the Artist Series models, all are stiff and finely grained.

After 55 years of making guitars, continual improvement through the use of emerging technologies, processes, and materials is still at the heart of our culture. Alvarez guitars are constructed correctly in every sense, from raw material preparation to construction and manufacturing processes.

Our tonewoods are carefully cured; our components such as neck blocks and wood joints are carefully designed. The painting, sanding and polishing techniques we use are continually researched and developed, and our tone is impeccably crafted and married to a stable, consistent and lively soundbox.

This caring approach to development comes from one simple goal: To deliver the best guitars in the market at every price point, instruments that are truly amazing value and offer a fantastic player experience.

The term “solid top” refers to the guitar’s soundboard being made of solid wood rather than laminates. However, even when the guitar top is made of solid wood, the tone of the instrument only improves significantly when the whole guitar is built correctly to optimize the energy a solid soundboard can generate. Artist Series is built to do exactly this.

Each model is designed to get the best out of its components, and for them to work together to produce balance, lively projection and great response. These components include our FS6 bracing design, which allows the soundbox to sing and brings uniformity across Dreadnought, Grand Auditorium, OM and Parlor body sizes. This means the voicing has a similar character, but the individual tone is more purely influenced by the size and shape of the guitar.

Our bi-level bridge is designed to heighten string tension and improve sustain and response. Real bone nut and saddle, premium tonewoods, and our crafted attenuated finish all further the quality of construction and positively impact the performance of the instrument. Artist Series gloss models have a clear deep shine from a finish that is applied as thinly as possible to optimize tone. The personality and voicing of Artist Series is open, dynamic and instantly responsive.

Thank you for choosing Alvarez.